As with many of the futurist and expressionist architects at the turn of the century, most of Sant’Elia's works were ever completed. [1][2][3], Sant’Elia deixou muitas obras incompletas e é especialmente lembrado por seus rascunhos e pela influência deixada na arquitetura moderna. 1912 — SANT’ELIA ANTONIO (1888 1916) L’apport de l’Italien Sant’Elia à l’architecture moderne est difficile à évaluer, car son expérience d’architecte n’a connu qu’un développement limité. By continuing to browse this site you agree to the use of cookies. He gained an honourable mention for his entry to the Competition for a small modern villa announced in 1908 by the Cooperative “Milanino”, which was proposing to build a garden city in the area between Cusano Milanino and Cinisello Balsamo. (2003): Deze pagina is voor het laatst bewerkt op 9 mei 2020 om 12:06. Learn more, New York Times: Antonio Sant'Elia, by Paul Goldberger, Feb 21, 1986. At the age of nineteen he moved to Milan where he found his first job as site manager for the completion works on the Villoresi Canal, which work meant he was able to view the hydroelectric power station of Vizzola Ticino. 1914 On the occasion of the exhibition, the public gas lighting was partly replaced by an electrical grid and the first trams started running. In November he enrolled with the higher architecture course at the Fine Arts Academy of Brera. Scopre sin da quando era bambino una predisposizione naturale all'architettura e al disegno, oltre che doti sportive, specie nel salto e nella corsa. En 1912 regresó a Milán p At the same time improvements were being made to the infrastructures both on the land and on the lake and new hotels were springing up and changing the appearance of the landscape. At the end of October the Volunteer Cyclists were incorporated into the Alpini and undertook hard training at the end of which they took part in the conquest of Dosso Casina, which had been held by the Austrians. Tel. The works began straight away under the direction of the master-builder Nino Dabbusi. After a short period of training at Gallarate, he was assigned to Third Company, Eighth Platoon, with Boccioni, Bucci, Buggelli, Erba, Funi, Sironi, Piatti and Marinetti. He then moved on to work as building design assistant at the Municipal Town Planning department for the city. - Taylor & Francis e-Librar. He obtained good marks in the practical tests (67\70 and 70\70), with lower marks in the essay (49\70) and in the final interview (56\70). He designed some kitchenware for him which was briefly in production from 1914 up to the time both departed for the war. Antonio Sant'Elia - Biografia. Vários artistas e profissionais se alistaram, acreditando que o mundo deveria ser purificado através da guerra, de maneira a destruir o velho para abrir caminho para o futuro. In deze tekst pleit hij ervoor de vormen van het verleden achterwege te laten en voor de moderne stedenbouw nieuwe vormen te ontwikkelen die zich baseren op de verworvenheden van de wetenschap. Criou passagens para pedestres, vias para carros e linhas para trens. At the end of that same year he worked with Italo Paternoster, who was both a friend and fellow student at Brera, on the plates relating to the International Competition for the new Cemetery of Monza, which would be announced in the February of 1912. In December he completed the design of the Gerardo Caprotti Funerary Monument which he had been working on since October of 1913. He left behind almost no completed works of architecture and is primarily remembered for his bold sketches and influence on modern architecture. Sant'Elia, Antonio — ▪ Italian architect born April 30, 1888, Como, Italy died Oct. 10, 1916, near Monfalcone Italian architect notable for his visionary drawings of the city of the future. Sant’Elia himself acquired the Wagner School yearbook of 1902. 1888, ✝ (gefallen) bei Monfalcone 10. After a brief period on Monte Baldo he re-joined his regiment at Monfalcone where he was charged by his commander General Napoleone Fochetti with the task of designing the War Cemetery for the Brigade. Sus proyectos inciden sobre la idea del dinamismo y se caracterizan por presentar medios de comunicación verticales y horizontales, con circulación a varios niveles, y edificios de gran altura con ascensores y pasillos exteriores. His studies at the Accademia enabled him to gain his diploma as teacher of architectural design. "Ad ogni generazione a sua casa ". Having left the Brera Academy in the October he took and passed the professional examinations as teacher of architectural design at the Fine Arts Academy of Bologna (with marks of 242/280), obtaining the highest mark for his design for the project the Façade with portal for the transept of a large metropolitan church. 1916 The questions of urban transformation and the renewal of the road system made necessary by the growth in traffic were new subjects of discussion that Sant’Elia embraced and addressed in competitions, in exhibitions and in congresses. The obsequies, without the presence of his body, were celebrated in Como on 12th November 1916. A ntonio Sant'Elia nasce il 30 Aprile 1888 a Como, da Luigi Sant'Elia e Cristina Panzilla. At the same firm he became friends with the designer and silversmith Arrigo Finzi who he met in 1909. The plates by Sant’Elia presented a picture of surprising modernity and captivated the attention of the public. The exhibition catalogue has a brief passage written by Sant’Elia which emerged with additions and some reworking by Marinetti and his companions in the Manifesto of futurist architecture, distributed in the July in the form of a leaflet printed by Taveggia of Milan and subsequently published in the magazine «Lacerba» on 1st August. Lance Day and Ian McNeil. Aurora Cuito, Cristina Montes (eds.) Het enige door hem ontworpen gebouw van Sant'Elia is de Villa Elisi (1912) in San Maurizio bij Como. The joint Sant’Elia-Paternoster, design was dubbed “Crisantemo” [Chrysanthemum], and was classified among the finalists. After graduating from Cantù technical school, he entered an art and craft school the Castellini Scuola di Arti e Mestieri in Como in 1903. Ses conceptions théoriques retiennent l’attention: dans le… … Encyclopédie Universelle, Sant'Elia — Sant Elia, Antonio, italienischer Architekt, * Como 30. 4. Continuing to use this site, you agree with this. Op de eerste tentoonstelling van deze groep in 1914 toonde hij zijn ontwerpen voor een futuristische stad, zijn 'Citta Nuova'. Como's Civic Museum. Education and Early Training He rented a room in Milan at Via S. Raffaele, number 3, from the painter Carlo Prada. Este texto é disponibilizado nos termos da licença. Graduado en Bolonia (1912), adquirió fama en la exposición Nuove Tendenze de Milán (1914), donde presentó su proyecto de Città nuova, al que acompañó con un Manifiesto de la arquitectura futurista (revista Lacerba, 1914). The Rome exhibition also put on its National Architecture Competition for the “modern house”. The event had an extraordinary emotional impact on the eleven-year-old Sant’Elia, especially the displays of the engineer Eugenio Linati with wood pavilions and a spectacular entrance through two imposing reproductions of Piles with interior lifts and a series of illuminated fountains. Sant'Elìa, Antonio. From 20th May to 10th June he exhibited with the Nuove Tendenze, New Trends, group which had been set up the previous February by Ulisse Arata, Decio Buffoni, Gustavo Macchi and Ugo Nebbia at the headquarters of the Famiglia Artistica Milanese at via Agnello 8 in Milan. In occasione del centenario della morte, ripercorriamo i capisaldi del suo pensiero che hanno reso la sua architettura dinamica e industrializzata. During his stay in Milan he experienced in first person the problems associated with the growth of the metropolis and became thoroughly cognisant of all the innovations in technology and hygiene that were being introduced by Milan’s administrative authorities. Questo sito web utilizza i cookie per consentire una migliore navigazione agli utenti. His friends Gerolamo Fontana and Mario Chiattone were in possession of publications on Wagner and the Wagnerschule. Hij was mede betrokken bij de oprichting van de groep Nuove Tendenze. In March he showed some designs at the group exhibition organised by the Associazione Lombarda Architetti [association of Lombardy architects] at Palazzo della Permanente managed by Giovanni Rocco, alongside the works of Raimondo D'Aronco, Giuseppe Sommaruga, Ranieri Arcaini, Ulisse Stacchini, Tancredi Venturini, Orsino Bongi, Angiolo D'Andrea, Cesare Mazzocchi, Giovanni Broglio and Marcello Piacentini. He lived in Corso Garibaldi, renting a room in a council house with Giovanni Possamai, a sculptor of his own age. On 14th October 1930 a funeral celebration was held at the Teatro Sociale theatre in Como. He left behind almost no completed works of architecture and is primarily remembered for his bold sketches and influence on modern architecture. Dopo il conseguimento, a Como, del diploma di capomastro edile (1905), seguì i corsi dell'Accademia di Brera (1909-11) e nel 1912 si laureò in architettura a Bologna. Sant’Elia was killed in the Eighth Battle of the Isonzo, in World War 1, cutting short his industrial vision of modern life. In July of that year he stood as a candidate on the list of the Revolutionary socialist party headed by Arturo Labriola for the Como local governmental elections. At the end of the nineteenth century the city was going through a prosperous time with much development taking place in the textile and tourist industries. He was buried in the military cemetery of the Arezzo Brigade of Monfalcone that he had himself designed, being awarded posthumously a second silver medal. On his return from the front Arrigo Finzi reopened the factor in Via Caminadella and restarted manufacturing without meeting the favour of customers. En 1914 publicó el Manifiesto de la arquitectura futurista. Esta página foi editada pela última vez às 14h00min de 1 de agosto de 2020. He was born in 1888 in Como, Lombardy, and at age 19 became a draftsman. Short Biography Antonio Sant'Elia (30 April 1888 - 10 October 1916) was an Italian architect and a key member of the Futurist movement in architecture. [1][4] Sant’Elia, porém, não foi o único futurista que lutou e morreu na Primeira Guerra. Ele não via prédios isolados na paisagem urbana, mas grandes construções de múltiplos níveis, com conurbações integradas, de maneira a dar vida à cidade. Those studying with Sant’Elia were just as dissatisfied as he was with the Realism and Symbolism that were then in vogue, and included the likes of Umberto Boccioni, Carlo Carrà, Luigi Russolo, Gerolamo Fontana, Leonardo Dudreville, Achille Funi, Mario Chiattone, Carlo Erba and Giovanni Possamai whose company Sant’Elia kept before his encounter with Marinetti and Futurism. 1915 In 1912 he began work in Milan, where he became part of the futurist movement in architecture. Antonio Sant'Elia studeerde aan de technische school te Como. Biografía … Wikipedia Español, Antonio Sant'Elia — Antonio Sant’Elia, Zeichnung eines Hochhauses von La Citta Nuova Zentralbahnhof mit Flughafen von La Citta Nuova Antonio Sant’Elia (* 30. Antonio Sant'Elia (Como, 1888-en el frente, cerca de Montefalcone, 1916) Arquitecto italiano. No Manifesto Futurista,[5] de Filippo Tommaso Marinetti, em 1909, o autor disse: Abriu um atelier em Milão This same Milan architect paid great attention to any new ideas coming from the other side of the Alps. 30 April 1880 Como, Italy d. 10 October 1916 Monfalcone, Italy [br] Italian architectural designer and town planner. Antonio Sant’Elia lived the quintessential futurist life — short, violent and driven by an all-consuming desire to remake the world. Diseño de edificio. 1911 The popularity he achieved in Como resulted in his obtaining a number of commissions, including for the school for the Viganò district (which was never built), for the decoration of the façade and the boundaries to the Francesco Baracca school in via Brambilla, as well as for the decoration of the façade of a building in Via Cesare Cantù, where his father had run the barber’s shop. It was not until the “Sant’Elia” trademark was filed in 1933 that the cutlery, vessels and silver coffee services in the art deco style, quite different from the art-nouveau designs from Como’s architect, obtained success on the market and were particularly acclaimed by Giò Ponti. At Monte Cucco the Army Corps succeeded in pushing back the Austro-Hungarians to Monte Zebio of Asiago, where on 6th July Sant’Elia was wounded to the head during an attack, standing out for his scorn for his personal safety and for the generous conduct towards his fellow soldiers in difficulty. Sant’Elia participated in two exhibitions that amounted to denunciations of official culture and expressed the need for alternative exhibition space. In July of that year, during their stay at Gallarate, the futurists organised some benefit theatre shows for soldiers’ families at the Teatro di Condominio and Sant'Elia was assigned the task of coordinating the scenery. SUBJECT AREA: Architecture and building [br] b. The plans were admitted to the second stage of the competition and were finally awarded third place. Fax +39 031 268053 Antonio Sant'Elia (Como, 30 de abril de 1888-Monfalcone, 10 de octubre de 1916) [1] fue un arquitecto y urbanista italiano. In May he left Como again for the Carso as Second Lieutenant and was assigned to the 225th regiment of the Arezzo Brigade, in the 5th Armata. He attempted to propose his own responses by designing multi-family and multi-functional buildings to be located on the outskirts of the city. The room that he set up as studio and lodging was just a stone’s throw from the Electrical Power Station of Santa Radegonda. The tomb was built by the contractors Donzelli in the cemetery of Monza, to the most economic version of those designed by Sant’Elia. In the short time before the outbreak of the First World War, Sant'Elia began to create his designs for the city of the future; he was a talented draughtsman and made hundreds of imaginative drawings to illustrate his ideas. It is probable that he also went to the Turin exhibition where the public particularly appreciated the Hungarian pavilion designed by Emile Töry and Maurice Pogány. But his vision still appears in science fiction films like Fritz Lang's Metropolis, Ridley Scott’s Bladerunner, and the sweeping worlds of the Halo games, and take physical form in the functional architecture of modern power plants and hydroelectric dams. Visitors may enter up to 15 minutes before closing time. He executed some tables for the architecture firm of Arrigo Cantoni for the second stage of the Competition for the New Milan Railway Station. Nacionalista e patriota, Antonio se alistou no exército italiano quando seu país entrou na Primeira Guerra Mundial, em 1915. [8], Residência com elevadores externos (1914), «L'Architettura Futurista: o manifesto de Antonio Sant'Elia», «100 Years after His Death, the Legacy of Futurist Architect Antonio Sant'Elia Lives On», «Antonio Sant'Elia - key member of the Futurist movement in architecture», «The Futurist world of architect Antonio Sant'Elia», «O arquiteto que inspirou as cidades futuristas de 'Metrópolis' e 'Blade Runner, https://pt.wikipedia.org/w/index.php?title=Antonio_Sant%27Elia&oldid=58923818, Pessoas da Primeira Guerra Mundial (Itália), Atribuição-CompartilhaIgual 3.0 Não Adaptada (CC BY-SA 3.0) da Creative Commons. April 1888 … Deutsch Wikipedia, SANT’ELIA (A.) He obtained his construction industry technician’s diploma with marks of 160/200. His father was a barber, and he had two siblings, a younger brother (Guido) and an older sister (Giuseppina), but little else is known of his childhood and early years. The design of the final plates was shared out between Sant’Elia (perspective views and cross sections), the architect Tancredi Motta (floor plans), and the painter Leonardo Dudreville (water colour perspective views). 1913 On 10th October 1916 during the eighth of the eleven battles of Isonzo he was mortally struck in the brow by a machinegun bullet as he led his platoon on an assault on Quota 77 at the foot of mount Hermada. Antonio Sant'Elia (1888-1916) was a highly influential architect, almost none of whose designs were ever built. (Como, 1888-en el frente, cerca de Montefalcone, 1916) Arquitecto italiano. Os futuristas viam a si próprios como pioneiros, que estaria forjando a civilização do começo. At the end of his first year at the Accademia, when he scored 9.5 in architecture, 6 in embellishment and 5 in perspective, he passed into the second year which he attended only for a short time. He was particularly struck by the Austrian pavilion designed by Josef Hoffmann which exhibited paintings by Gustav Klimt and Franz Von Stuck, works of the sculptor Anton Hanak and reproductions of a number of designs by Otto Wagner and his pupils, Emil Hoppe, Marcel Kammerer and Otto Schöntal. Sant'Elia sneuvelde tijdens de Achtste Slag aan de Isonzo, nadat hij vrijwillig dienst had genomen in het Italiaanse leger. He designed and built, with his friend Gerolamo Fontana, Villa Elisi in the Le Colme a San Maurizio area above Brunate (Como) to the order of the industrialist Romeo Longatti. In January 1909 he sent a design to the Milan magazine “La Casa”, which published it, for a villa unifamiliare or detached house of formally Secessionist inspiration that received partially positive comments from the magazine as well as some criticism. 1908 +39 031 252550. The increase in population and the need for higher quality standards led to an at least partial introduction of mains drinking water, a sewage system, electric lighting, school buildings, charitable accommodation, the Monumental Cemetery and the Abattoir. Ele propôs ainda que a cidade existia em contínua construção. 1888 Scopre sin da bambino una naturale predisposizione all'architettura e al disegno, oltre che doti sportive, specie nel salto e nella corsa. 1930 Em agosto de 1914, Antonio teria publicado o Manifesto da Arquitetura Futurista, apesar de ainda se debater se ele foi mesmo seu autor. Diseño de edificio . Antonio Sant'Elia (Como, 30 april 1888 - nabij Monfalcone, 10 oktober 1916) was een Italiaans futuristisch architect. Antonio Sant'Elia nasceu em 1888, em Como, na região da Lombardia.Treinado como construtor e arquiteto, Antonio abriu um escritório em Milão em 1912, envolvendo-se pouco tempo depois com o movimento futurista, sendo o seu principal arquiteto e divulgador, influenciado pelas ideias de Otto Wagner e pelas cidades industriais dos Estados Unidos. In that same year the Sempione Exhibition was held in Milan, which Sant’Elia would certainly have visited. He was killed in action in 1916, but his drawings have survived and have influenced later work.
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