Figaro enters from upstage, Rosina hides her letter. You make me laugh! BERTA And why not? FIGARO the difference, after all, is trifling. But if then, but if we … offstage I shall try to talk to the girl … By means of a billet, COUNT FIGARO FIGARO FIGARO To the barracks. “It was Rossini through and through, his music at its loveliest in BARBIER VON SEVILLA. I'm going to kill him Almaviva woos Rosina under the guise of a student, Oh joy! Il Barbiere di Siviglia Libretto English Translation. FIGARO Overture ACT ONE SCENE ONE Just before sunrise. ... you cannot mistake it … always in bustle, FIGARO stream FIGARO COUNT a man not quite himself, Duration 2 H. 50 Min. DON BASILIO OFFICER all the neighbours you'll be waking. auspicious sign! Better! COUNT I will see you soon again! La la ran la la ran la, etc. pointing to Bartolo 1815. not a girl in Seville can marry; Without a doubt! I am furious, do you hear! Annoyed by the noise they makem, he tries to drive them away. Silence there! Yes, if it were a prescription! What do you want, Signor Soldier? (The devil!) I was mistaken! with a sweep of his hand he flings the paper into the air Why is he delayed? Figaro up. The third part of the trilogy, L’AUTRE TARTUFFE OU LA MERE COUPABLE, which appeared in 1792, did not enjoy the success of its predecessors, conceivably due to the chaos of the French Revolution. All right, I shall tell you. a colleague here. FIGARO At first, Rosina refuses to be carried off by the treacherous Lindoro, the Count’s supposed envoy. By deftly causing a distraction, Figaro manages to pilfer the key required for Rosina’s planned abduction. (He looks at me … he is coming near.) Now you must think of a way Melodramma buffo in two acts Zu ihrem Repertoire gehören ausserdem Erste Dame (Die Zauberflöte) und die zweite Frau in Dido und Aeneas. FIGARO Matthew Newlin as Almaviva, Etienne Dupuis as Figaro, Jana Kurucová as Rosina, Maurizio Muraro as Bartolo, Arutjun Kotchinian as Basilio. to protect our love! FIGARO Better! We recommend that you reserve your seats in advance of your visit. look here it is. FIGARO Yes, sir, yes, sir. Fortune smiles on my love, Ah, what a merry life, I am petrified, bewildered, ALL ROSINA ROSINA, BERTA and FIGARO The spine remains Rating: % positive. Poor fellow, he has come here CHORUS Ab der Spielzeit 2016/17 war sie Mitglied der Opera Academy an der Polish National Opera in Warschau und 2017 zudem Stipendiatin der Eugenia Jütting Stiftung. You are … Doctor Balordo? of this volcano within you, yes. intermission after 1st part after approx. %äüöß of love divine, In dieser Zeit leitete er das Ensemble in Wien und auf Tourneen durch Europa, Südafrika, Kanada und die USA. that Doctor Bartolo etc. Farewell! I'm coming - who the de devil is it? BARTOLO BARTOLO Bravissima! Retire, retire. This uproar into the streets I am the vet of the regiment. Hey … the daughter of a silly old physician, What Balordo? DON BASILIO I have the best of reasons. opera deals with the plan by Count Almaviva to woo Rosina and win her hand in marriage. with the public, making him seem Canzone with never a penny in his pocket … COUNT als Daland (Der fliegende Holländer), Oroveso (Norma), Warlaam (Boris Godunow), Colline (La bohème), Ferrando (Il trovatore) und Osmin (Die Entführung aus dem Serail) zu hören war. COUNT Yes, all you want, The catering team looks forward to your reservation at www.rdo-berlin.de or by telephone +49 (0)30 343 84 670, please pay in advance. Rosina enters from her room The usual overture was that originally written for the opera Aureliano in Palmira , and the work Neben Assistenzen in Deutschland, Österreich und den USA entstanden eigene Arbeiten als Ausstatter – u.a. Thank you. In truth, I do not. One at a time, in that room with your music-master An der Deutschen Oper Berlin war er 2017/18 u.a. always with some money in my pocket, Bartolo becomes even more suspicious when he notices ink stains and the fact that a sheet of paper is missing. FIGARO Ab der Spielzeit 2011/ 12 war Wenwei Zhang Ensemblemitglied der Dortmunder Oper, wo er u.a. FIGARO COUNT FIGARO BARTOLO business for ladies Softly softly, here and there, BARTOLO an der Staatsoper Hamburg (Die unglückselige Cleopatra und Miriways), am Theater an der Wien in der Kammeroper (La cambiale di matrimonio, Mare Nostrum), an der Neuen Oper Wien (Orest), am Staatstheater Saarbrücken (Der goldene Hahn), am Staatstheater Karlsruhe (Falstaff, L´elisir d´amore, Die lustigen Nibelungen), am Theater Regensburg (La bohème, Madama Butterfly, Martha), an der Volksoper Wien (Pinocchio), bei den Bregenzer Festspielen (Staatsoperette, Le nozze di Figaro), am Theater St. Gallen (Fidelio), am Theater Chemnitz (Die Fledermaus), an der Oper Dortmund (Aida), dem Verdi Festival in Parma (Falstaff) und an der Komischen Oper (Der Zauberer von Oz). BARTOLO Ah! In a few minutes Now he intends to get the job done properly and despatches Basilio to the notary. officer, billeted on him, he alleges. BARTOLO ���� JFIF �� C (We must be careful!) BARTOLO Oh, have no doubt, A flower. to keep silent. Im gleichen Jahr schloss er seinen Master an der Academy of Choral Art in Moskau ab und begann als Solist für ein barockes Musik-Ensemble unter Andrei Spiridonov zu singen. Search | With fair words may I know FIGARO Ro … The devil! includes some of the best known of all operatic elements in Figaro's Largo al factotum and in BARTOLO You wish to battle? CHORUS By force or by love, Duets | Who's there? He has locked himself ROSINA ROSINA an earthquake, a whirlwind, ROSINA Everybody go about their business. I am dying of boredom. The first performance was unsuccessful as a result of objections made by supporters of Paisiello's opera on the same subject. a nobler life I'll let him go by: The start to leave in opposite directions a letter in her hand No sense arguing … like a statue, FIGARO Introduction FIGARO FIGARO endobj I have nothing further for you to do. La la la la la la la la la la. You must pretend to be drunk. COUNT So many people! allow the Count to go, when the officer in charge learns his identity, still concealed from Rosina and Is no one at home! Dort inszenierte er 2010 die Riemann-Oper von Tom Johnson sowie in den folgenden Spielzeiten Adolphe Adams Le Toréador, Madernas Kammeroper Satyricon, Donizettis Don Pasquale und das Sondheim-Musical Sweeney Todd. Explain! DM's opera site. Thank you. Am Saarländischen Staatstheater waren seine Inszenierungen von Rimsky-Korsakows Goldenem Hahn und Verdis Falstaff zu sehen. I am going to murder … what a scoundrel! But how? COUNT SCENE ONE To speak to me? I forgot to ask: tell me, what am I to do now?) Silence. Oh, what a cursed fellow! COUNT COUNT Come. Una piazza di Siviglia (A sinistra è la casa di Don Bartolo, con balcone. with fire unknown A physician? Then hear and be silent. Then there are "extras" FIGARO I am going to conclude this affair. CHORUS At that, Rosina agrees to marry Bartolo and reveals the escape plan. how did you come here, FIGARO But... slander … Cursed ones, away from here! and fills my spirit Bartolo, however, overhears the decisive watchword and flies into a rage – he has been duped yet again. ah what a happy life! FIORELLO What an ugly face! In der Saison 2021/22 wird er die Künstlerische Leitung der Internationalen Händel-Festspiele Göttingen übernehmen. Just this, that plausibly, ROSINA, BERTA 2007 vertrat er Russland beim Junior Eurovision Song Contest. Heavens! COUNT ROSINA What is it? COUNT Stop, stop … Oh, what a life, what a trade! FIGARO BARTOLO More! Nach verschiedenen Kostümassistenzen arbeitet sie seit 2011 als freischaffende Kostümbildnerin. I watch and wander near this balcony. does the same. of your songs or your music. which is unequalled! why was it sharpened? and I used the ink Of my imagination! ROSINA BARTOLO Who knows, he may be the one COUNT No, sir. But the most important thing I will explain. FIGARO There are five now, there were six. He is awaiting some sign, I'll take care of everything. all gather around me here. Who can that be? Figaro here, Figaro there, BARTOLO I honestly give service. Probably the guardian with his ward … in About the Kingdom of Day and Night and Magic Instruments, als Nonne in Der feurige Engel, eine Produktion, mit der sie auch am Festival d’Aix-en-Provence gastierte sowie in einem Liederabend mit Helmut Deutsch. <> He never has an hour's peace. Let him come, but with caution, has she taken pity from early dawntill late at night. She takes a letter from her bsom and gives it to him BERTA, COUNT and FIGARO with will to dare. I'm comig - here I am! Il barbiere di Siviglia remains the most popular of Rossini's comic operas, providing a witty and lively score to accompany a series of incidents worthy of any farce. etc. Oh, you alone, my love, A famous intriguing match-maker, BARTOLO Figaro … Where can she be?) No? endstream ALL how shall I contrive to speak? To-day a regiment is expected here. Only when the Count reveals his true identity does she acquiesce. by good fortune, falls to death. Er studierte am Konservatorium seiner Heimatstadt und debütierte 2015 an der Lviv National Opera in der Titelrolle von Mozarts, 26, 27 Sep; 07, 08, 28, 29 Nov; 01, 03, 06, 08 Dec 2020; 31 Jan 2021, Gala Concert of the International Opera Studio, Ilya Altukhov, Bassbariton, stammt aus Russland und war vor seinem Studium am Khabarovsk College of Art als Popsänger tätig. FIGARO Oh, you flirt, come quickly here! FIGARO Very much obliged. If Don Basilio (Lo, smiling in the heaven), while the music-lesson scene may include a coloratura aria, if Rosina is can console my heart. Why? FIGARO Oh, you alone, my love, Well, my friends! Sir … I sent to Marcellina. A small piazza in Seville with narrow streets running off in all directions. Bartolo, who has his eye on his ward's fortune. Then it is I … You are not mocking me? See the power of your gold! Er ist Preisträger des Queen Elisabeth Wettbewerbs: Voice 2018, des Berlin International Music Competition 2018 (Goldmedaille), sowie des 9th Veronica Dunne International Singing Competition 2019 (mit Extra-Auszeichnung: Oratorio Prize). I heard you, I heard you. Keep off! The Count has seen Rosina and approaches her BARTOLO Open. COUNT Cold and motionless Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. Five wigs, Count Almaviva, wrapped in a cloak, enters from down left on this soul in love! ROSINA, BERTA, FIGARO and BASILIO Go ahead, don't worry; COUNT The Count starts towards the inner room. Well, we'll try … The very same. La ran la le ra la ran la la. etc. Little fatigue, and much amusement, for pity's sake. She is only his ward. Cavatina Come, come! ROSINA but I will sharpen my wits, FIORELLO ROSINA meanwhile I am dying of impatience! for you only breathes, Von 2009 bis 2012 arbeitete er als Regieassistent für Musiktheater am Luzerner Theater. Pierre Augustin Caron de Beaumarchais (1732 – 1799) invented the cunning, scheming barber and made him the central figure in a trilogy of comedies, the first two parts of which – LE BARBIER DE SEVILLE OU LA PRECAUTION INUTILE (1775) and LA FOLLE JOURNEE OU LE MARIAGE DE FIGARO (1778) - are now world famous. That may be true, but meanwhile COUNT To draw a flower to embroider. COUNT ROSINA and BASILIO Already it's here. FIGARO More! in the trap at last he is caught etc. My head seems to be and at last, he will relent, COUNT BARTOLO (He's off again. disconsolate and in despair, BARTOLO Zahlreiche CD- und DVD-Aufnahmen dokumentieren diese Arbeit. And I shall be content. seems the thunder of the tempest Well, Signor Figaro? I am barber, surgeon, of the city. Doctor Barbaro. BARTOLO FIORELLO Tutto è silenzio, nessun qui sta without mercy. Seit der Spielzeit 2019/20 gehört Konstantin Shushakov zum Ensemble des Opernhauses Zürich und war hier bereits als Guglielmo, Malatesta, Marcello und Andrei Tchelkalov (Boris Godunov) zu hören. is not willing to accept me. Be silent, for pity's sake! But sir … for a doctor Do you really think so? I shall return in a few minutes. Exit Fiorello pointing to the Count (It is he, am I mistaken?) etc. FIGARO FIGARO Bravo! The deuce! Rosina answers from behind the shutters can console my heart. George Petrou stammt aus Griechenland und studierte am Konservatorium in Athen sowie am Royal College und der Royal Academy of Music in London. The Count presents a document to the Officer who, after reading it, salutes smartly; the soldiers present arms You are, sweet Rosina, she could be a professor.) we must begin happy thought, in very truth! FIGARO What do you say to this? La ran la la, etc. ROSINA Oh, the foolish old dotard! FIGARO He gives a purse to Fiorello Cold and motionless A battle is a fine thing! If you will pardon me. M'Lord … I am not known here, with a good head and a warm heart. But in the end love conquers all and the precautions taken in the elaborate venture turns out to have been for nothing. continue to sing. BARTOLO Up and down, high and low, COUNT but love is not shy. and fills my spirit COUNT my soul is burning, (in cunning itself which inspires my heart, What? you can explain it all to her, sir. But if we … but if then … In Italian language with German and English surtitles, B-Prices: € 86,– / € 66,– / € 44,– / € 26,– / € 20,–, Family Performance B-Prices: € 86,– / € 66,– / € 44,– / € 26,– / € 20,–, Family Performance B-Prices: € 86,– / € 66,– / € 44,– / € 26,– / € 20,– / tickets, C-Prices: € 100,– / € 82,– / € 58,– / € 34,– / € 24,– / tickets, Patrick CookMichael KimAndrei DanilovJörg Schörner, This turbulent tale has an aged curmudgeon intent on marrying his own ward in order to get his hands on her inheritance. I wish to hasten my marriage with her.
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